Showing posts with label public art. Show all posts
Showing posts with label public art. Show all posts

Cheyenne artist takes many pieces and creates a work of peace

Cheyenne artist Forrest King took these items from Sept. 11 ceremony...
...and constructed this work of art seen in background at International
Day of Peace ceremony in Herschler Building.
Wyoming Gov. Matt Mead penned a proclamation marking Sept. 21 at the International Day of Peace. At today's lunchtime ceremony at the Herschler Building honoring this day of peace, the Rev. Rodger McDaniel read the proclamation because the Gov was busy with the "lying in state" events for the late U.S. Sen Malcolm Wallop.

Gov. Mead's proclamation mentioned the United Nations many times. The International Day of Peace originated in the U.N. in 1981 and was first celebrated on Sept. 21 in 2002. I couldn't help but wonder how nuts the proclamation would make Gov. Mead's U.N.-hating Tea Party followers. They'll never read it, of course. But if they did, heads would be exploding all over Wyoming.

Sen. Wallop was no fan of the U.N. or of peacenik ways. He was a Cold Warrior, one of Ronald Reagan's staunchest supporters.  I doubt if the International Day of Peace ever deserved a ceremony, much less a mention, at Sen. Wallop's digs in Sheridan County.

My thoughts were not in keeping with the peace and justice ways of today's ceremony. But that's how it goes when you've spent two decades as an outlier in the reddest of red states.

Cheyenne's International Day of Peace featured fine words by Christian, Jewish, Muslim and UU leaders. Music too. And a work of art by local artist Forrest King.

At the Sept. 11 commemoration at the State Capitol, Forrest collected mementos from different faith communities. These items represented the brokenness of 9/11. Forrest was charged with bringing a sense of hope to these materials via his art.

And he did. Forrest is sending more photos. For now, the above images show the items from the Sept. 11 ceremony and the sculpture fashioned by Forrest. I'll do a more complete description of the work in future posts.

I leave you with the words that Rev. McDaniel left us with: "All in Peace. Go in Peace. Create in Peace. Live in Peace."

Shalom

Public art innovator Walter Hood speaks in Jackson July 26

Speaking of public art projects...

Jackson Hole's Public Art Initiative is still young but has launched some neat projects, with more in the works. The program recently announced that "Sky Play" (see artist's rendering above), by Wisconsin artist Don Rambadt, will be featured in the bike path underpass at the National Museum of Wildlife Art site north of town.

Renowned landscape architect Walter Hood, designer of the National Museum of Wildlife Art ’s under-construction sculpture trail, will discuss “Art in Public Places” at 7 p.m. on Tuesday, July 26 at the museum in Jackson. The event is free and open to the public. Known for his innovative and people-friendly designs of such high-profile public spaces as the grounds for the De Young Museum in San Francisco’s Golden Gate Park, Hood is expected to "share insight into his philosophy about creating multitasking public spaces that are both respectful of the land and rooted in their communities."

Walter Hood
If you're in Jackson this summer, the museum offers "hard hat tours" of its sculpture trail daily at 10 a.m. and 2 p.m. through September. The new sculpture trail is set to open September 2012. The tours are free and open to the public and will meet in front of the Museum Shop.

Goal of the National Museum of Wildlife Art's new multimillion-dollar Sculpture Trail:
Further integrate the national museum’s collection with its natural Wyoming setting. The trail also will connect to a recently constructed Jackson-to-Grand Teton National Park pathway via a new underpass for easy biker and hiker access. 
Important sculptures planned for the new outdoor space include a casting of Simon Gudgeon’s streamlined bronze bird form “Isis” that was installed in London’s Hyde Park in 2009, a life-size elk bronze titled “Black Timber Bugler” by Tim Shinabarger, and eight larger-than-life bison in a sculpture by Richard Loffler called "Buffalo Trail" to be installed on the hillside with its own separate path.

Public art celebrates creativity and innovation and heritage and open minds

"Triangle" by Kirsten Kokkin in Loveland, Colo.
Public art can become a very personal thing.

I work in the arts, so know how one little statue can blow up into a huge controversy.

Today's Denver Post explored that city's public art program, and similar programs in Loveland, Colorado Springs and Grand Junction. The Denver percent for art program has been in place since 1977, which gives the city 34 years of perspective on art in the public eye. The most recent controversy raged around the bucking mustang sculpture with the crazy eyes that greets motorists at DIA. As many of you know, this is the sculpture that killed its creator. I'm not being facetious. The sculpture-in-progress fell on New Mexico artist Luis Jiminez and killed him. Now many Coloradans consider it cursed. Its nicknames include "Blucifer" and "Satan's Steed." The mustang is now legend.

To Denver's credit, its program mandates that an artwork stays up for five years once it's installed. The work passes through a review process before it's made and installed. It's not cheap to install a 32-foot horse along a public roadway. You don't want to take it down and put it back up every few months.

And then there's naked people. Loveland, epicenter of public sculpture, installed a bronze called "Triangle" by Kirsten Kokkin at a major intersection. It features three naked humans forming a triangle, thus the piece's name. My far would have been hat every teen boy in town would be climbing the sculpture searching for the naughty bits. But who needs sculpture when teen boys can prowl live sex sites via their home computer?

The "Triangle" artist has obviously studied the human form with the same attention to detail that motivated Michelangelo. I'm often amazed that people continue to care about putting sculptures in the parks and along their roads. But they do. And as in Michelangelo's time, public patrons provide the impetus and funding to do so. There may be some tussles along the way, but once a public work of art catches hold, it becomes a landmark. Witness downtown Denver's Big Blue Bear sculpture by Lawrence Argent. Witness the Lane Frost sculpture at Cheyenne's CFD Old West Museum. Witness the Chief Washakie sculpture in front of the Washakie Dining Hall at UW in Laramie. Witness Robert Russin's Abraham Lincoln head at welcome center on I-80 celebrating The Lincoln Highway. Witness the UW Art Museum and its "Sculpture: A Wyoming Invitational" with its many innovative works. Some of those sculptures were not meant to last, as in Patrick Dougherty's sculpture made of locally harvested saplings. Witness the entire city of Loveland, Colo., once a sleepy enclave between Denver and Fort Collins, home to commuters and retirees, to a lively city filled with sculptures and international sculpture shows (coming up in August).

Patrick Dougherty, "Short Cut," 2008
Many Wyoming cities have gone gaga over sculpture. Every corner in Sheridan's historic downtown features a work of art. Gillette has an Avenue of Sculpture. Cheyenne is planning the same thing along Capitol Avenue between the State Capitol and the Historic Train Depot. The newly renovated Capitol Plaza features statues of suffragist Esther Hobart Morris and Shoshone leader Chief Washakie. Across the street on the grounds of the Wyoming Arts Council, a sculpture of iconic Western artist William Gollings paints the scene (his painting of the Capitol is on the wall inside the building). At the other end of the street, a new sculpture of a pioneer woman carrying a valise and disembarking from a train celebrates Wyoming's "Equality State" moniker. In Wyoming, "Equality State" is always a work in progress.

That's also true for public art. Always a work in progress. New work goes up to admire and gawk at and maybe even complain about.

From May through October, tourist buses arrive daily in downtown Cheyenne. Groups of Japanese and Russians and Chinese tourists swarm over the Capitol grounds. They take each other's pictures by the Bison and by Esther and by the cowboy on the bucking bronco. They might go into the Capitol (if it's open) but time is short and they need some memories of their travels. Artwork on the Capitol grounds provides that.

Some of our legislators and public servants feel that art is a frill, that it provides no real benefit to Wyomingites and to the tourists that stoke the state's number two industry.

Buffalo soldier statue near Warren AFB in Cheyenne (USAF photo)
These people are short-sighted and possibly blinded by Tea Party rhetoric. The Governor of Kansas was so blinded by it that he eliminated the state arts council. Others, such as the Governor of Maine, banish works of art that they don't agree with. This negates one of the main goals of public art, which is to get the viewer to think about the site's culture and heritage. A mural of union workers can do that (although people in Maine have been spared that experience). A statue of a mountain lion can do that, as will the new sculpture at the Wyoming Vistitors' Center on I-90 near Hulett. The statue and commemorative plaques celebrating the buffalo soldier near Warren AFB's main gate opens up a new chapter in frontier and African-American history. Some of these soldiers came out West post-slavery to find more opportunities and less prejudice. It also brings up the fact that the U.S. military was officially desegregated by Pres. Truman in 1948, way before schools and businesses and transportation and your local Woolworth's counter.

It's tough to keep an open mind in these most close-minded of times. But our future depends on it.

Ganesha, remover of obstacles, please remove Kootenai Constitution Party from my sight

"Ganesha" by sculptor Rick Davis. Kathy Plonka photo. The Spokesman-Review
Today’s Wyoming Tribune-Eagle’s religion section features an article about a protest in Coeur d’Alene about a new public art display. I am always interested in protests against art displays because I work in the arts and it’s always intriguing to see what kind of art upsets which kind of people.

On Friday afternoon in Coeur d’Alene, the Kootenai County Constitution Party staged a protest at a statue entitled “Ganesha.” The statue, by Spokane metal artist Rick Davis, is one of 15 dedicated Friday as part of the city’s new “ArtCurrents” public art program

Artists own the sculptures, which remain in place for a year and are offered for sale. The city receives 25 percent of the proceeds of any sales. The sculptures are by artists in Idaho, Wyoming, Washington, Montana and Nebraska. Proposals were solicited from artists, and a citizens committee selected about half of the submissions. The artists received $500 stipends.

The program is based on one that has been in place in Sheridan, Wyo., for eight years. The Sheridan program has been wildly successful, with a variety of sculptures on downtown street corners. They bring ambience to an already lively downtown. The project adds money to the city coffers. The art also draws people downtown and they stay longer to see the artwork.

Davis’s Coeur d’Alene statue is of Hinduism’s Lord Ganesha, an elephant-headed, human-bodied “god of wisdom and remover of obstacles and that is often invoked before the beginning of any major undertaking,” according to a June 11 ANI article.

Any project that involves both government and the arts should welcome a god who is a remover of obstacles. Rajan Zed, president of Universal Society of Hinduism, was quoted in the ANI article: “What could be more auspicious for Coeur d'Alene than having a Ganesha statue in its downtown?”

Instead, the county’s Constitution Party sees it as an “abomination.”

The best coverage of this has been in the Irregular Times blog where 
jclifford asks this question:
Now, guess which statue from the 2011-2012 ArtCurrents Coeur D’Alene Public Art installation the group claims is unconstitutional. 
It’s not the statue of Rachel, a character from the Old Testament. 
It’s not the statue of St. Francis of Assisi, a figure of Christian devotion. 
No, the only religious statue that the Kootenai County Constitution Party rejects is the statue of Ganesha, a hindu deity. Isn’t that curious?
I join jclifford in finding it ironic that Rick Davis sculpted Ganesha and the statue of St. Francis of Assisi, one of the Catholicism’s major saints. The Prayer of St. Francis was one of the first I learned. My father, a major Catholic parent, coached my brother and me for hours and hours, drilling the prayer into our dense little heads. I am now writing this from memory:
Lord, make me an instrument of thy peace
Where there is doubt, let me sow faith
Where there is darkness, light
Where there is sadness, joy
Ours is not to be consoled as to console
Something, something.
Amen.
That’s all I recall. My memory is a sieve.
I could jog my brain cells if I was in downtown Coeur d’Alene, looking at the St. Francis statue. At the same time, if Constitution Party knuckleheads were on the scene, I might also pray to Ganesha to remove annoying human-like obstacles to my enjoyment of beautiful public art.
Here is the prayer in its current permutation (from http://www.catholic-forum.com/saints/pray0027.htm):
Lord, make me an instrument of your peace.

Where there is hatred, let me sow love.
Where there is injury, pardon.
Where there is doubt, faith.
Where there is despair, hope.
Where there is darkness, light.
Where there is sadness, joy.
O Divine Master,
grant that I may not so much seek to be consoled, as to console;
to be understood, as to understand;
to be loved, as to love.
For it is in giving that we receive.
It is in pardoning that we are pardoned,
and it is in dying that we are born to Eternal Life.
Amen.

Speaking of historic placemaking -- or lack of it

Maine artist Judy Taylor created the labor history mural that Gov. Paul LePage wants to remove the the state labor department building:
In the summer of 2007, I responded to a Call to Artists sponsored by the Maine Arts Commission. The call was to create an artwork depicting the " History of Labor in the State of Maine". After a reviewing process, I was selected to do the commission. Along the way, I met some wonderful, and dedicated people. I also got an excellent education in Maine History. Below, is the 11-panel mural that was painted on 4 x 8 sheets of specially prepared MDO board. The panels were applied to adjoining walls in the Dept. of Labor reception area. In total, the mural measures 36 feet in length, and is nearly 8 feet tall.
As a public service to artists everywhere, here are the mural panels. Find the descriptions at Judy's web site.







UPDATE: ThinkProgress reports that the Governor decided to remove the mural after receiving one anonymous. Later he admitted that it was an anonymous letter and not a fax. One anonymous fax/letter undoes years of hard work and erases a landmark? And why is the governor lying about it?