Kos Katalogue: Call for artists, crafters, authors

The holidays are coming! Here's a great way to find -- and buy from -- like-minded artists. Find out how to submit your handmade/homemade work to Kos Katalogue

From Salon: Occupy Wall Street: Poster smackdown

Newark Star-Ledger art critic Dan Bischoff rates some of the best-known of the Occupy Wall Street posters on Salon. Bischoff is the former national political editor for the Village Voice and a blogger for The Nation. See a slide show with commentary at Occupy Wall Street: Poster smackdown. The one pictured above is his favorite for these reasons:

Bischoff says that this poster -- his favorite -- is successful in conveying the fact that "this is a uniquely male crisis, with a female response." The influence and involvement of female protesters in the OWS movement, he says, is "inconceivable in Vietnam or any other protest period"; "it's not that there are more women, but that they're equals of the men," he adds. "[And that] complicates the control problem for the police."

Hundreds and hundreds of "Battered Brides" in Laramie County

"Battered Bride" (close-up) by Forrest King, oil painting, 36x48 inches

According to Safehouse: In Laramie County, one in every four women report that they are or have been the target of domestic violence. That's a shocking 21st-century statistic for the largest county in The Equality State, one that houses the State Capitol in Cheyenne where our legislators convene annually to discuss issues important to its citizens. If this isn't a pressing issue, I don't know what is.

Sometimes it helps to see a visual. Local artist Forrest King has done that for us. He's been working for months on his "Battered Bride" painting. As it nears completion (see above), he will exhibit it Thursday (today), Oct. 6, 4-7 p.m., at Safehouse's "Would You Walk in Her Shoes?" fund-raiser and consciousness-raiser for Safehouse at the Historic Depot in Cheyenne. You can see a series of photos documenting Forrest's "Battered Bride" project on Facebook. 

Come down to the Depot this afternoon. Walk around in "her" shoes for a few minutes. And then contribute to Safehouse, write a letter to the ed (and your state legislator), practice nonviolence in your own life.

Creative placemaking video of 13-year-old artist in Sheridan, Wyoming

Sheridan Artist Lauren Sarantopulos from Indie Media: The New Journalism on Vimeo.

The Wyoming Arts Council features 13-year old Lauren Sarantopolus as she discusses her work at the Sagebrush Community Art Center in Sheridan. Video by Alan O’Hashi.

Adbusters' Occupy Wall Street poster asks: What is our one demand?

I love this Occupy Wall Street poster from Adbusters. Curious about the origins and goals of the protest? The Nation  explains it all for you at http://www.thenation.com/article/163719/occupy-wall-street-faq

Convergence WY asks: "Wyoming culture is unique but are we leveraging this culture to help build prosperous communities?"

Jackson Farmers' Market - Creative Bakeries from Indie Media: The New Journalism on Vimeo.

This vid comes from a series filmed by Cheyenne videographer Alan O'Hashi as he tours the state (with Wyoming Arts Council staffer Randy Oestman) in search of details about Wyoming's Creative Vitality Index (CVI). Teton County's CVI is off the charts, making it one of the best arts towns in the West. And that's not all high rollers buying big bronzes and Teton landscapes. It's also young artists finding ways to transfer their skills to the kitchen, and then selling those handcrafted pies at the farmers' market, with money going into their pockets and the community. The Circle of Life!

I'll share more of these CVI vids as they become available... They'll cover other areas of the state, including Sheridan and Rock Springs and Cheyenne and others. This creativity is no surprise to Wyomingites who know that there is an incredible amount of arts and crafts happening quietly in farms and ranches and small towns and in cities (we have a few) and even resort towns all around the state. The video series is an attempt to put a face on that activity.

So interesting that this surge of creativity happens in such a conservative state. After all, Wyoming has the most Republican legislature in the U.S. -- and the least diverse. The new Tea Party Repubs fell all over themselves during the 2011 session trying to propose the most absurdly regressive laws. Anti-gay, anti-immigrant, anti-woman, anti-worker, anti-wolf, anti-environmental protections. You name it, they were agin' it. Except for guns -- very pro-gun. Fetuses now have their own concealed carry laws.

Our gun culture is part of the creative economy. There are many artisans making and decorating their own firearms. Cody is home to the Buffalo Hill Historical Center and its fantastic firearms museum. In Cody, don't miss the eclectic Dug Up Gun Museum. Cody artist Paul Clymer turns old shotguns into colorful works of art. Pinedale artist JB Bond is in the process of transforming a junked vehicle into a nine-foot-long machine gun that will be part of the town's public art initiative.

But let's face it -- Wyoming's population is aging rapidly. Its infrastructure is crumbling. The education system is not getting the results warranted by the investment of hundreds and hundreds and hundreds of millions of dollars, or so say the Repubs..

Most importantly, its young people aren't hanging around to watch it crumble. Sure, some of these youngsters are featured in these videos. But unless we can boost the entire state's CVI, those youngsters won't stick around.

I ask my fellow parents this question: how many of your children departed Wyoming to go to college or the military and never moved back? Go ahead, tell me your stories.

The Rocky Mountain West is filled with livable towns and cities that also are artsy outdoor sports meccas. Need I name them? Fort Collins, Boulder, Durango, Denver, Steamboat Springs, Park City, Salt Lake City, Moab, Aspen, Sun Valley, Bend, Missoula, Bozeman, Livingston, Moscow, Pullman, Boise, Taos, Tucson, Flagstaff and so on.

These are the cities that Cheyenne, Casper, Rock Springs, Gillete and Riverton are competing against. Here is the question posed by Convergence Wyoming: "Wyoming culture is unique but are we leveraging this culture to help build prosperous communities?"

Well, are we?

A closer look at Forrest King's "Remember, Heal & Hope" sculpture

HM earlier featured some photos of Forrest King's sculpture for the International Day of Peace ceremony Sept. 21. We thought a close-up and a description was also in order. This artwork could be variously described as a sculpture, an assemblage, or an installation. After making its debut at Peace Day in the Herschler Building, it will tour local churches and any other locale that would like to view the piece and hear the story behind it.

The materials in the sculpture came from representatives of local churches. They donated the items at the Sept. 11 commemoration held 9/11/11 in front of the Wyoming State Capitol.

Forrest organized his piece around the symbols of three religious traditions: the Christian cross, a Jewish tallit or shawl and a set of Muslim prayer beads. A firefighter's helmet tops the sculpture and it's propped up with an EMT's ready box. To illustrate the international storm caused by 9/11, the shawl and prayer beads have a wind-whipped look and are forever frozen in place that way. Not sure of Forrest's techniques, but the sculpture has the look of a traditional bronze monument.

Arrayed below that are three panels that say "Remember," "Heal" and "Hope." A prayer candle sits above an old hymnal opened to "My Country 'Tis of Thee" and "America the Beautiful."

It takes time and contemplation and talent to come up with a work of art in 11 days. We would all do well to take some time to contemplate what the artist has wrought. If you're interested in bringing it and the artist to a church or synagogue or mosque or school near you, go to Forrest King's Facebook page.

Creative industries in the West: Rural rail autos, energy-based tourism and small-town creatives

We couldn't have said it any better. The renovation of the WYO Theater sparked Sheridan's downtown  revival. That will be one of the topics at Convergence Wyoming.

In advance of Convergence Wyoming Oct. 6-8 in Cody, I've been reading voraciously on the following subjects: the creative class, creatives, creative placemaking, creative economy, historic placemaking, and creative industries. It's exhausting.

On the positive side, there is an incredible amount of creative energy going into solutions for global warming, infrastructure decay and economic malaise. On the negative side we have our paralyzed American political structure. But the revolution in creativity may have some of its genesis in the terrible fact that government structures are inept or at least painfully slow in catching on to the new reality. And the fact that Congressional Republicans want to push the country back, way back, instead of forward into the future.

My first searches were for speeches and position papers by Convergence Wyoming presenters such as Steven Tepper and Anthony Radich. I've discovered some great stuff. More importantly, I've uncovered plenty of blog fodder. When it comes right down to it, isn't that what life is all about?

I've known Anthony Radich for almost 20 years. He's a move and shaker in the arts administration world. He directed the Missouri Arts Council for eight years, created its cultural trust fund, and took over the Western States Arts Federation (WESTAF) in Denver in 1996. Much to this dismay of the arts-funding world, he revamped WESTAF, making it a leaner organization, but also one that embraced technology and new ways of doing arts business.

One of the first things he did was move this regional arts organization from the stuffy confines of Santa Fe to Denver. I love Santa Fe for all the reasons people love Santa Fe: great food, fine art ogling, the Indian Market, cool old buildings, high and dry mountain air, etc.

But Denver? My hometown is a city known more for its sports teams and big-time hustlers (Bat Masterson, Soapy Smith, Denver Post founders Bonfils & Tammen, Neil Bush) that it is for its arts. When I covered the arts and entertainment scene in the early 1980s, you could count the good contemporary galleries on one hand, public art barely existed, the symphony was dying, tumbleweeds blew through an almost-deserted Denver Center for the Performing Arts, and the indie music scene centered around the Mercury Cafe and a couple of funky bars on Broadway.

It's a different city now. Apparently Denver was waiting for me and my family to leave before it blossomed into an arts destination, one that boasts more money generated by arts and culture than by its professional sports teams. Yes, the Broncos suck but the south stands are still filled during every home game.

So maybe that's what Anthony Radich foresaw when he moved WESTAF to a renovated warehouse in downtown Denver. He did see that Denver was a transportation center with a new airport courtesy of another big-time hustler, Philip Anschutz, and light rail was coming and Coors Field was the newest venue in MLB and tourism was huge and there was good coffee and fine microbrews within walking distance.

Some of the craft brews were at Wynkoop Brewery, John Hickenlooper, prop. As you know, he went on to become Denver's very popular mayor and now is the state's governor who is popular in places other than right-wing Colorado Springs.

There are more people in Denver proper than in the state of Wyoming. There are five times as many people in the Denver metro area than in Wyoming.

Backstage Theatre --
Breckenridge ain't just
for skiing anymore.

Wyomingites hate Denver traffic. But we sure love attending Rockies games and hanging out in LoDo. Ditto Broncos, Av, Nuggets, Six Flags Elitch Gardens, Colorado Opera, traveling shows of Les Mis, DIA, Denver Zoo, and so on.

Denver rakes in the Wyo dough. It's an arts and culture and sports destination for us. The airport is our international way station.

No Wyoming community will be another Denver. So what can we do to form our own home-grown creative economies?

For one thing, our city planners can stop spending money on zero-sum investments such as call centers. We all know this game. A big company wants to build a windowless building wherein low-paid locals can call you during dinner to harangue you about late credit card payments and the superiority of aluminum siding. The call-center company gets tax breaks on the land and possibly the building. The call center brings no economic development to a community save for the few shekels that its employees bring home. They do nothing to enliven a community. They do nothing for tourism, Wyoming's number two industry. They do nothing and they are nothing.

Here's what Anthony Radich said about the subject during a visit to Savor Albuquerque last summer:

Instead of being one of 50 contenders for a call center, think about the assets and infrastructure you have to do something unusual.

That could be any number of things beside call centers and distribution centers or any number of traditional econ dev targets: 

“You here in Albuquerque and New Mexico are competing with people across the country for the creative economy, and you have phenomenal resources to do that,” Radich said. Building the creative economy is often a matter of creating an economic cluster around existing assets, he said. It provides legitimacy to the sector, especially among elected officials.

Albuquerque is not as big as Denver but is doing some similar things.

BTW, I was conceived in Albuquerque, a byproduct of what happens when two young marrieds in love imbibe the brewer's arts, consume the culinary arts and dance to the artistic sounds of local musicians, all on an Old Town Friday night, February 1950. The arts and creativity are nothing new to Albuquerque.

Radich is not only talking about the West's big cities.

Take Moscow, Idaho, for instance.

Jazz great Lionel Hampton, namesake
of IU's music department and
annual festival. 

This town of 23,000 -- with student enrollment of 12,000 -- is now home to the Lionel Hampton Jazz Festival each February. The city is 92 percent white and adjacent to Idaho's crazy zone in the Panhandle where the white supremacists hang out. It is finding ways to make Moscow the coolest arts town in the Northwest. The Portlandia of the Palouse.

The Lionel Hampton Orchestra was one of the hottest big bands in the 1930s, 1940s and 1950s. His name had almost disappeared from the scene when University of Idaho invited him to headline its jazz festival in 1984. In 1987, UI named its music school after Hampton, the first university music school in the country to be named for a jazz musician. Now every winter, the jazz world comes to Moscow.

Most towns and cities that desire "creative economy" status have a university.

But not all.

Sometimes they have breathtaking landscapes and ski areas. Jackson, WY, for instance. And Park City, UT; Aspen, CO; Sun Valley, ID.

According to the Creative Vitality Index compiled by WESTAF, Jackson may be the best arts town in the U.S. See the facts at www.westaf.org

Teton ArtLab, Jackson

The birth of cultural heritage tourism has already led to German tourists paying big money to work on a ranch for a week. College students are now taking a year off to tend veggies on organic farms. We have an organic farms in Wyoming, notably Meadow Maid in Yoder, which provides me with veggies and chickens and grass-fed beef.

What about tours of mining operations, such as open pit coal mines in Campbell County and trona mines in Sweetwater County? Tours of railroad yards in Cheyenne and Laramie? When I was in Casper this weekend, Casper College just dedicated a training tower for students in the wind energy program. Seems to me that both locals and tourists would love to get up and close and personal with a wind turbine. On a nice day, you can view dozens of propellers spinning on turbines arrayed north of town. Soon there will be hundreds. And we've all read articles about how energy companies seek out technical rock climbers as technicians. Hey -- it's a long way up and a long way down. Climbers know that territory.

Just a few examples of cool stuff happening in the world of creative industries.

Convergence Wyoming features a “Bright Spots” session from 10-11:45 a.m. on Friday, Oct. 7, at the Cody Holiday Inn.

It will feature these community efforts:

·         Saturday University and Teton County Poetry Box in Jackson

·         Gillette’s AVA Center

·         Washakie Museum and Cultural Center in Worland

·         the Historic Preservation Commission in Douglas

·         the Roundhouse restoration in Evanston

·         downtown rehabilitation projects in Cheyenne

·         art galleries in downtown Lander

·         Main Street projects in Dubois and Rawlins

·         Sheridan’s growing recognition as an “exciting and livable community” through its cultural initiatives

And there's more, much more...

While reading the Albuquerque paper, I came across this recent story about the big IDEA conference coming to the city in 2012. Creatives and creative thinkers from across the globe will be coming to town at the behest of the International Society for Electronic Arts. Get more info at http://isea2012.org. One of the cool arts tech projects set for the convention is shown below.

Where art and technology meet -- As part of the Latin American forum of ISEA2012 in Albuquerque next summer, artists Ivan Puelig and Andrés Padilla Domené will bring their custom-made car that can ride on rails to Albuquerque, and their video stories and photos of residents  from northern Mexico towns isolated when rail service ceased and no roads were built  to replace it. Photo from UTEP.  

Cheyenne graphic novelist and librarian gets "Artist of the Month" honors

The growth of graphic novels in the past few years has been amazing. Some of my writer friends thinks that this is one of the signs of the decline of western civilization, or of civilization's general decline. But it's just the opening of a door to other ways of expression. 

Laurel Shelley-Reuss is a comic author and illustrator living in Cheyenne. As is the case with many creatives, she has a full-time job -- hers is at the Laramie County Public Library. Her mother was a librarian in Cheyenne and has since moved on to greener fields in Colorado. In her teen years, Laurel was babysitter to my daughter on a several occasions. Laurel loved to draw and was an anime and manga fan back before most of adults knew what those were. She and my son are about the same age and they could talk anime until the illustrated cows came home. 

Laurel went to school at the well-respected Savannah College of Art and Design. She returned to Cheyenne to mind our library's books and to get to work on her own. Her first graphic novel, “Olive Peril,” was released by Arcana Comics in November of 2010, following the “Olive Peril” webcomic, which went live in late 2008. She’s been featured in the Sugar Ninjas Sugar and Spice anthologies in 2009 and 2010, a series of comics created by women artists working in the comic book industry and will be in the upcoming 2011 editions. She currently works on both the “Olive Peril” webcomic as well as a second webcomic, “Chorus of the Neverborn.” Her freelance work has included book covers, websites and logo design for private and non-profit organizations.

Laurel was featured in Sunday's Wyoming Tribune-Eagle as the Arts Alliance of Cheyenne's "Artist of the Month" (see image at the top of this post). Much deserved honor for a talented young person who is really going places.

Cheyenne artist Forrest King takes a little of this and a little of that for artwork celebrating peace and healing

Forrest King and daughter at table filled with donated items for International Day of Peace artwork

Local artist and community activist Forrest King has his work cut out for him.

During the next ten days, Forrest will craft a work of art from a firefiighter's gear, an empty wine bottle, a string of Islamic prayer beads, shards of a shattered stained glass window and a broken bone.

The items were donated to the cause at today's 9/11 commemoration at the Wyoming State Capitol. It was the first in a series of 11 days of peace that will culminate in the International Day of Peace ceremony Sept. 21 at the Capitol Rotunda.

The ceremony started with a performance by Hands in Harmony and a community chorale made up of the LCCC chorus and members of local church choirs. Speakers came from local Christian churches, Mt. Sinai Synagogue, the Southeast Wyoming Islamic Center and the UU Church. The most touching aspect of the day featured mosque members translating the original Hebrew text and Synagogue members translating work recited in the original language by mosque members. It was all scripted but really illustrated the "healing" theme of the event.

People representing at least a dozen local congregations donated items for Forrest's commemorative work of art.

From the V.A. Medical Center -- a broken bone representing wounded warriors of our many wars.
From Mt. Sinai Synagogue -- Jason Bloomberg, who spent 20 years as an emergency responder, brought an EMT's jump kit found at Ground Zero and a firefighter's helmet.
Community of Christ -- a peace candle
St. Paul's Lutheran -- pieces of a stained glass window.
SE Wyoming Islamic Center -- a broken string of prayer beads

Community choir assembled on the WY State Capitol for 9/11 commemoration

We were piped out of the ceremony by a lone piper performing "Amazing Grace."

We eagerly await Forrest's finished artwork. Its theme is the journey from brokenness to hope.

Shalom

"Sustainability and the Arts" exhibit reception Sept. 20 at UW

September 2011 a time to celebrate the creators over the destructors

The arts can bring us together and, sometimes drive us apart.

After 9/11, the arts were a strong healing force in America. Ten years after, I still remember that beautiful "America" A Tribute to Heroes" telethon that featured performances Bruce Springsteen, Neil Young, Wycleaf Jean, The Dixie Chicks, Celine Dion and so many others. Music was this Sept. 21 show's centerpiece. Unlike most televised music events -- MTV Awards, Grammies, etc. -- the egos were left at the door and they just played.

On that night, when you and your Republican neighbors were watching the same show and thinking some of the same thoughts, who would have thought that we would be such a miserable and contentious and downtrodden nation as we are now? Who would have thought we would still be waging war in Afghanistan and one in Iraq? Who would have predicted how mean-spirited our politics would become? It disgusts me and I hope it disgusts you.

Me -- I'm part of the problem. I regularly attack the other side for what I see as knuckleheaded politics. They, in turn, attack me. That's O.K. a healthy give-and-take of ideas is a good thing. That makes our country stronger. It shows us that the terrorists really didn't win on that sunny day ten Septembers ago. But when we spend all of our time in name-calling mode, I'm not so sure. When politics becomes another excuse to tear our neighbor down, I'm not so sure. After 9/11, we were talking. Our leaders were operating on the same page. Healing and recovery became our goal.

That didn't last long.

Does that mean that I'm going to leave my Cassandra ways behind and become all Pollyanna?

No. I will keep fighting the Know Nothings. But, during September, I'm going to write about constructive things that may make our lives just a bit better. The arts, just to name one topic. The arts are a constructive force. To create is to see toward the future.

And I leave you now with a healing song from from the 2002 CD by Bruce Springsteen and the E Street Band, "The Rising." Great CD. The title song could have been in that long-ago healing concert. It's a performance of "The Rising" at a 2003 concert in Barcelona. Barcelona residents know a bit about rising from the ashes. It was a city in ruins after the Spanish Civil War which divided Spain for generations (and Spaniards are still dealing with it). Is there another civil war in America's future? Let's hope not. Here's the concert link: http://youtu.be/eNnB4dkVRJI. Some of the lyrics:

Can't see nothin' in front of me
Can't see nothin' coming up behind
I make my way through this darkness
I can't feel nothing but this chain that binds me
Lost track of how far I've gone
How far I've gone, how high I've climbed
On my back's a sixty pound stone
On my shoulder a half mile line

Come on up for the rising
Com on up, lay your hands in mine
Come on up for the rising
Come on up for the rising tonight

Left the house this morning
Bells ringing filled the air
Wearin' the cross of my calling
On wheels of fire I come rollin' down here

Come on up for the rising
Come on up, lay your hands in mine
Come on up for the rising
Come on up for the rising tonight

"Tierra y Libertad" mural going up in downtown Laramie

Artist’s rendering of a beautiful mural in Laramie that links the food we eat with the people who harvest the food that we eat. Way to go, Laramie. Artist Talal Cockar's "Tierra y Libertad" is the first in a series of murals in downtown Laramie sponsored by the University of Wyoming Art Museum and the Laramie Main Street Alliance.

Shape-shifting in the arts world and in Yellowstone

The world of arts funding is changing dramatically. The federal-state-local government infrastructure that began with the establishment in 1965 of the National Endowment for the Arts is morphing into something new and different. And this may be a good thing.

I work in that infrastructure, in both the state and federal level, for 20 years. I am 60. My brain and my aesthetics should be as calcified as my knees. But as is the case with many of my colleagues in arts administration, I am being challenged to look at the arts with new eyes.

I mentioned “colleagues.” I have fewer of those these days as state arts agencies are killed off by Tea Party-inspired governors and state legislatures. The Kansas Arts Commission got the ax this year. South Dakota almost disappeared. Nevada and Arizona were cut to the bone.

This budget cutting frenzy is inspired by deficits and political ideology. Wyoming has a budget surplus but our arts agency has been told to cut spending – or else. Wyoming is as red as red can be. We’re selling the crap out of coal and shale oil and natural gas (some of which is actually ancient crap) and trona and wind -- and the gubment is raking in the dough through excise taxes. One can only assume that politics trumps reality.

One could get all bent out of shape about this state of affairs. [Pause for blood-curdling scream]  Or, maybe, I can put my energy into alternatives. Change is good, right? Didn’t a presidential candidate say that long time ago in a galaxy far far away?

I will spend time on these pages exploring arts organizations and funders and artists and writers who are looking at this world in new ways.

I came across a great one today. United States Artists has been around for several years. The help artists, writers and performers raise project funding online.

The artists first must pass muster as a recipient of an award from one of USA’s partnering organizations, such as Wyoming Arts Council, Idaho Arts Commission, Lannan Foundation, Rockefeller Foundation, etc.

Artist Pearl C. Hsiung, L.A. needed to raise $5,200 for her multimedia project, “Yellow Stoner: Shape-shifting in Yellowstone National Park.” Under “perks,” Hsiung promised $50 donors that she would send e-mail updates of the project. For a $100 donations, you get e-mail updates and an actual postcard sent from YNP. Donors of $250 (limited to 20) receive e-mail updates, a postcard from YNP and a limited edition, signed and numbered, hand-pulled 9x12-inch “Yellow Stoner” screen print created for this fund-raiser. Those who donate $500 (limited to 10) get all of the above, thank you credits, and a signed DVD copy of the finished video piece. The high rollers -- $1,000 donors – get all of the above plus a party.

Hsiung ended up raising 107 percent of her goal. The money pays for travel costs and renting a camera. She plans to be in Yellowstone in late August. The light will be good and many of the tourists (but not all) will be gone.

I write at length about this project for several reasons: 1. It’s innovative and interesting; 2. It’s happening in Wyoming; 3. Hsiung had to earn her artist creds though a public or private arts org to qualify for USA Projects; 4. A number of micro-lending individuals thought enough of the project to fund it.

This latter point is important. True, a kitschy postcard sent from the Old Faithful Inn is a keepsake. But the philanthropists in the $250-and-up categories get something concrete for their money. Call it an investment. That poster or video may be worth something some day. Even the thank you creds on the DVD might lead to other projects and investments in the arts world. At least you get bragging rights when Pearl shows her video and you’re listed as a free-spending arts patron.

Diego: “Thanks for the commission, Mr. Rockefeller.”

Nelson: “You’re welcome. Now tear down that commie mural.”

You may be venturing into unknown country with arts patronage.

I digress. No matter what the future holds, Hsiung wins. Her project gets funding. More people know about her and her work (including this arts administrator in Cheyenne, WY). She’s learned some valuable marketing skills.

Go check out her project at http://www.unitedstatesartists.org/project/yellow_stoner_shape_shifting_in_yellowstone_national_park

And if you’re wandering around Yellowstone the next couple weeks and see a young artist and cameraperson surrounded by shape shifters, you’ll know who it is. Say hi. 

Wyomingarts on the road this week to take the pulse of the state's art scene

My pal, Wyomingarts, is on the road this week taking the pulse of the state's arts scene. Go here to read His/Her/Its communique from Jackson at http://wyomingarts.blogspot.com/2011/07/suzanne-morlocks-work-is-popd-from.html. Pinedale at http://wyomingarts.blogspot.com/2011/07/must-be-something-in-that-sublette.html

Ligorano/Reese "temporary monument" illustrates plight of the melting middle class

On June 18, 2011 artists Ligorano/Reese presented a temporary monument in the garden of Jim Kempner Fine Art in NYC called "Morning In America." The installation was witnessed by hundreds and lasted a total of 8 hours throughout the hot day.

...A THOUSAND CUTS is a timelapse video of the event. The soundtrack was inspired by an excerpt from Senator Bernie Sanders 8 hour filibuster on the U.S. Senate floor against the extension of the Bush tax cuts and the effects on the middle class. It is orchestrated to music by composer/violinist Michael Galasso.

Special Thanks
Dru Arstark, Anthony Caputo, Dan Walworth, Okamoto Studio, Postworks NY

The entire text of Senator Sanders speech is available as a book, published by Nation Books, The Speech: A Historic Filibuster on Corporate Greed and the Decline of Our Middle Class,

For more information about Michael Galasso's music and soundtrackshttp://michaelgalasso.com.

For more information on the artists, see http://ligoranoreese.net

This video is licensed under Creative Commons,
http://creativecommons.org/licenses/by-nc-nd/3.0/

Thanks to Brooklyn artist Nancy Bowen for tipping me off to this project.

NEA"s "Our Town" grants supports creativity in our towns

Artist's rendering of Casper's Sunshine II development that will include an arts space for resident and neighbors

Here's a whole lot of creative placemaking that will be supported by almost $7 million in "Our Town" grants from the National Endowment for the Arts: http://www.arts.gov/grants/recent/11grants/Our-Town.html

One of those is a $50,000 grant for Casper to develop a public art space alongside the 26-unit Sunshine Apartments II development now under construction. The site is across from the Nicolaysen Art Museum and just west of where the now-demolished KC Apartments were located. Some of you may remember the rundown KC Apartments as a slumlord-run blight on the neighborhood that mercifully was closed down by the city and then demolished.    

The new Sunshine II low-income development feature LEED-certified buildings and now an arts space. 

Project organizers envision the space as a gathering spot for apartment residents and the surrounding community. The museum also intends to create educational and outreach programs for the site. 

“It’s part and parcel with a whole mindset or plan for downtown Casper on how to integrate arts with our everyday lives,” said museum Curator Lisa Hatchadoorian. 

--clip--

Hatchadoorian isn’t aware of any other public art spaces in Wyoming tied to low-income housing. Organizers hope their project will encourage similar efforts in other parts of the state.

“It’s a community-building experience,” she said. “A lot of times, when you have a public art space where people can interact, it just brings everyone ... it makes the community more available to each other. It just makes a better place to live.”

Read more: http://trib.com/news/local/casper/article_b59063b2-7991-51f2-8698-204d1b7b01fc.html#ixzz1RxrMkUst

Another one of the NEA's "Our Town" grants goes to a neat "arts incubator" project just down the road from Cheyenne in Fort Collins, Colo.:

To support the creation of the Rocky Mountain Regional Arts Incubator (RMRAI) in the historic Carnegie building in downtown Fort Collins. The RMRAI will offer students and professionals a multitude of services to assist them in creating, redefining, and sustaining their creative careers in the new economy, including educational courses, internships, continuing education for practicing artists, and gallery and performance spaces.

The project is a collaboration among the non-profit Beet Street, the City of Fort Collins Cultural Services Department and the Colorado State University School of the Arts. The incubator will be located in the Carnegie Building in the city's Library Park.

The Beet Street web site doesn't say, but the org's name probably trades on Fort Collins' aggie reputation, namely its years as a center of sugar beet production. CSU got its start as Colorado A&M, home of a fantastic veterinary school and lots of farming and ranching courses. That's what the big "A" up on the mountain stands for. CSU grew into a place where the arts shared a campus with the aggie arts. What's interesting is that the university (my alma mater) now is investing heavily in green technology and sustainable agriculture, putting the A&M back into the name in new and interesting ways.

Public art innovator Walter Hood speaks in Jackson July 26

Speaking of public art projects...

Jackson Hole's Public Art Initiative is still young but has launched some neat projects, with more in the works. The program recently announced that "Sky Play" (see artist's rendering above), by Wisconsin artist Don Rambadt, will be featured in the bike path underpass at the National Museum of Wildlife Art site north of town.

Renowned landscape architect Walter Hood, designer of the National Museum of Wildlife Art ’s under-construction sculpture trail, will discuss “Art in Public Places” at 7 p.m. on Tuesday, July 26 at the museum in Jackson. The event is free and open to the public. Known for his innovative and people-friendly designs of such high-profile public spaces as the grounds for the De Young Museum in San Francisco’s Golden Gate Park, Hood is expected to "share insight into his philosophy about creating multitasking public spaces that are both respectful of the land and rooted in their communities."

Walter Hood

If you're in Jackson this summer, the museum offers "hard hat tours" of its sculpture trail daily at 10 a.m. and 2 p.m. through September. The new sculpture trail is set to open September 2012. The tours are free and open to the public and will meet in front of the Museum Shop.

Goal of the National Museum of Wildlife Art's new multimillion-dollar Sculpture Trail:

Further integrate the national museum’s collection with its natural Wyoming setting. The trail also will connect to a recently constructed Jackson-to-Grand Teton National Park pathway via a new underpass for easy biker and hiker access. 

Important sculptures planned for the new outdoor space include a casting of Simon Gudgeon’s streamlined bronze bird form “Isis” that was installed in London’s Hyde Park in 2009, a life-size elk bronze titled “Black Timber Bugler” by Tim Shinabarger, and eight larger-than-life bison in a sculpture by Richard Loffler called "Buffalo Trail" to be installed on the hillside with its own separate path.

Public art celebrates creativity and innovation and heritage and open minds

"Triangle" by Kirsten Kokkin in Loveland, Colo.

Public art can become a very personal thing.

I work in the arts, so know how one little statue can blow up into a huge controversy.

Today's Denver Post explored that city's public art program, and similar programs in Loveland, Colorado Springs and Grand Junction. The Denver percent for art program has been in place since 1977, which gives the city 34 years of perspective on art in the public eye. The most recent controversy raged around the bucking mustang sculpture with the crazy eyes that greets motorists at DIA. As many of you know, this is the sculpture that killed its creator. I'm not being facetious. The sculpture-in-progress fell on New Mexico artist Luis Jiminez and killed him. Now many Coloradans consider it cursed. Its nicknames include "Blucifer" and "Satan's Steed." The mustang is now legend.

To Denver's credit, its program mandates that an artwork stays up for five years once it's installed. The work passes through a review process before it's made and installed. It's not cheap to install a 32-foot horse along a public roadway. You don't want to take it down and put it back up every few months.

And then there's naked people. Loveland, epicenter of public sculpture, installed a bronze called "Triangle" by Kirsten Kokkin at a major intersection. It features three naked humans forming a triangle, thus the piece's name. My far would have been hat every teen boy in town would be climbing the sculpture searching for the naughty bits. But who needs sculpture when teen boys can prowl live sex sites via their home computer?

The "Triangle" artist has obviously studied the human form with the same attention to detail that motivated Michelangelo. I'm often amazed that people continue to care about putting sculptures in the parks and along their roads. But they do. And as in Michelangelo's time, public patrons provide the impetus and funding to do so. There may be some tussles along the way, but once a public work of art catches hold, it becomes a landmark. Witness downtown Denver's Big Blue Bear sculpture by Lawrence Argent. Witness the Lane Frost sculpture at Cheyenne's CFD Old West Museum. Witness the Chief Washakie sculpture in front of the Washakie Dining Hall at UW in Laramie. Witness Robert Russin's Abraham Lincoln head at welcome center on I-80 celebrating The Lincoln Highway. Witness the UW Art Museum and its "Sculpture: A Wyoming Invitational" with its many innovative works. Some of those sculptures were not meant to last, as in Patrick Dougherty's sculpture made of locally harvested saplings. Witness the entire city of Loveland, Colo., once a sleepy enclave between Denver and Fort Collins, home to commuters and retirees, to a lively city filled with sculptures and international sculpture shows (coming up in August).

Patrick Dougherty, "Short Cut," 2008

Many Wyoming cities have gone gaga over sculpture. Every corner in Sheridan's historic downtown features a work of art. Gillette has an Avenue of Sculpture. Cheyenne is planning the same thing along Capitol Avenue between the State Capitol and the Historic Train Depot. The newly renovated Capitol Plaza features statues of suffragist Esther Hobart Morris and Shoshone leader Chief Washakie. Across the street on the grounds of the Wyoming Arts Council, a sculpture of iconic Western artist William Gollings paints the scene (his painting of the Capitol is on the wall inside the building). At the other end of the street, a new sculpture of a pioneer woman carrying a valise and disembarking from a train celebrates Wyoming's "Equality State" moniker. In Wyoming, "Equality State" is always a work in progress.

That's also true for public art. Always a work in progress. New work goes up to admire and gawk at and maybe even complain about.

From May through October, tourist buses arrive daily in downtown Cheyenne. Groups of Japanese and Russians and Chinese tourists swarm over the Capitol grounds. They take each other's pictures by the Bison and by Esther and by the cowboy on the bucking bronco. They might go into the Capitol (if it's open) but time is short and they need some memories of their travels. Artwork on the Capitol grounds provides that.

Some of our legislators and public servants feel that art is a frill, that it provides no real benefit to Wyomingites and to the tourists that stoke the state's number two industry.

Buffalo soldier statue near Warren AFB in Cheyenne (USAF photo)

These people are short-sighted and possibly blinded by Tea Party rhetoric. The Governor of Kansas was so blinded by it that he eliminated the state arts council. Others, such as the Governor of Maine, banish works of art that they don't agree with. This negates one of the main goals of public art, which is to get the viewer to think about the site's culture and heritage. A mural of union workers can do that (although people in Maine have been spared that experience). A statue of a mountain lion can do that, as will the new sculpture at the Wyoming Vistitors' Center on I-90 near Hulett. The statue and commemorative plaques celebrating the buffalo soldier near Warren AFB's main gate opens up a new chapter in frontier and African-American history. Some of these soldiers came out West post-slavery to find more opportunities and less prejudice. It also brings up the fact that the U.S. military was officially desegregated by Pres. Truman in 1948, way before schools and businesses and transportation and your local Woolworth's counter.

It's tough to keep an open mind in these most close-minded of times. But our future depends on it.

Library's Maurice Sendak exhibit closes June 24

One more day to see this cool exhibit at the Laramie County Public Library in Cheyenne:

IN A NUTSHELL: THE WORLDS OF MAURICE SENDAK EXHIBIT

This exhibition explores the influence of the Old and New worlds in the work of renowned illustrator Maurice Sendak, best known for children’s books, “Where the Wild Things Are,” and “In the Night Kitchen.” (All ages, Entrance Gallery)