Seems that I will always have material for weekend blogging as long as the local Radical Christian Right is on the job.
Harlan Edmonds wrote an op-ed in today's Wyoming Tribune-Eagle. Mr. Edmonds has hit those pages before -- and hit them hard -- with screeds against abortion, Liberals, immigrants, RINOs -- you name it.
I don't mind screeds as I sometimes engage in those same tactics. But shouldn't they make sense or present some solid evidence for the Average Joe (or Mike) to latch onto.
His target is "Tough Enough to Wear Pink" day held Thursday at Cheyenne Frontier Days. On that day, burly dudes in pink wrestle steers and ride bucking broncos. In Thursday's parade, Gov. Matt Mead wore pink, as did Secretary of State Max Maxfield. Members of the CFD committee wore pink. This was a statement advocating increased funding for breast cancer research for all those women in our lives faced with the disease. The CFD's charity of choice on this issue is the Susan G. Komen for the Cure Foundations. Christian Right activists contend that some of the money donated to Komen MAY end up being donated to Planned Parenthood which MIGHT use it to counsel poor women to have abortions.
In the name of Christian purity, Mr. Edmonds and Mr. Wall contend that not a penny of our money should go to a wonderful charity which saves lives and will some day help to find a cure for women afflicted with breast cancer. They may be our wives or daughters or co-workers or someone we don't even know.
How very un-Christian of you Christian gentlemen.
But that's not the point, is it? Mr.. Edmonds will believe what he believes and logic will not shake him. He spends most of his column with ad hominem attacks local Christian minister and fellow Leftie blogger Rodger McDaniel. Mr. Edmonds says that the Rev. McDaniel "managed to squeeze more anti-Christian bigotry into a single WTE piece recently than Mullah Omar could fit in a four-hour fatwa."
I always like it when Christian fundamentalists try to equate Lefties with Muslim fundamentalists. As we all know, Fundies of all stripes believe in the same basic philosophy -- literalism. This is one of the reasons that some of my fellow Leftie bloggers label the American Christian Right "the American Taliban."
And I just did the same thing. Oops!
Lefties have learned a few things during the past 40 yars or so. Literalism is a dead end, whether it applies to the Bible or to The Communist Manifesto, the Koran or Mao's Little Red Book, the Book of Mormon or The Port Huron Statement. Living your life by the tenets of one little book penned by humans (and possibly inspired by God) eventually backs you into a corner.
It's also un-democratic (small "d"). The humanist principles upon which America was founded call upon citizens to continue to continually think and grow. Fundies, by nature, reach a dead end in their personal growth. All they are left with is a striving toward the End Times and eternal salvation. The hell with society. The hell with my fellow man and human. The hell with cancer cures and global arming solutions and universal health care.
In the end, they are anti-life.
In its efforts to aid humankind, CFD advocates life over death. I have a feeling that there are a few Christians within the CFD leadership ranks. And you can't swing a cat at a rodeo without knocking down a Christian cowboy or cowgirl. I know because I tried that last year and burly security guards wearing pink threw me out of the rodeo grounds.
SECURITY GUARD: "We don't cotton to your kind around here."
ME: "Leftie bloggers?"
SECURITY GUARD: "No, guys who swing cats."
I left, chastened.
Another thing I've noticed about fundamentalists, whether they be Mullah Omar or Harlan Edmonds -- they have no sense of humor.
I strive for humor and sometimes succeed. Maybe that's why I was inspired to wear pink fairy wings during my turn as emcee Thursday evening at the Atlas Theatre's old-fashioned melodrama. The pink wings looked great with my cowboy duds. "Tough enough to wear pink fairy wings!"
Take that, you close-minded fundies.
Showing posts with label cowboys. Show all posts
Showing posts with label cowboys. Show all posts
Public art celebrates creativity and innovation and heritage and open minds
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| "Triangle" by Kirsten Kokkin in Loveland, Colo. |
I work in the arts, so know how one little statue can blow up into a huge controversy.
Today's Denver Post explored that city's public art program, and similar programs in Loveland, Colorado Springs and Grand Junction. The Denver percent for art program has been in place since 1977, which gives the city 34 years of perspective on art in the public eye. The most recent controversy raged around the bucking mustang sculpture with the crazy eyes that greets motorists at DIA. As many of you know, this is the sculpture that killed its creator. I'm not being facetious. The sculpture-in-progress fell on New Mexico artist Luis Jiminez and killed him. Now many Coloradans consider it cursed. Its nicknames include "Blucifer" and "Satan's Steed." The mustang is now legend.
To Denver's credit, its program mandates that an artwork stays up for five years once it's installed. The work passes through a review process before it's made and installed. It's not cheap to install a 32-foot horse along a public roadway. You don't want to take it down and put it back up every few months.
And then there's naked people. Loveland, epicenter of public sculpture, installed a bronze called "Triangle" by Kirsten Kokkin at a major intersection. It features three naked humans forming a triangle, thus the piece's name. My far would have been hat every teen boy in town would be climbing the sculpture searching for the naughty bits. But who needs sculpture when teen boys can prowl live sex sites via their home computer?
The "Triangle" artist has obviously studied the human form with the same attention to detail that motivated Michelangelo. I'm often amazed that people continue to care about putting sculptures in the parks and along their roads. But they do. And as in Michelangelo's time, public patrons provide the impetus and funding to do so. There may be some tussles along the way, but once a public work of art catches hold, it becomes a landmark. Witness downtown Denver's Big Blue Bear sculpture by Lawrence Argent. Witness the Lane Frost sculpture at Cheyenne's CFD Old West Museum. Witness the Chief Washakie sculpture in front of the Washakie Dining Hall at UW in Laramie. Witness Robert Russin's Abraham Lincoln head at welcome center on I-80 celebrating The Lincoln Highway. Witness the UW Art Museum and its "Sculpture: A Wyoming Invitational" with its many innovative works. Some of those sculptures were not meant to last, as in Patrick Dougherty's sculpture made of locally harvested saplings. Witness the entire city of Loveland, Colo., once a sleepy enclave between Denver and Fort Collins, home to commuters and retirees, to a lively city filled with sculptures and international sculpture shows (coming up in August).
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| Patrick Dougherty, "Short Cut," 2008 |
That's also true for public art. Always a work in progress. New work goes up to admire and gawk at and maybe even complain about.
From May through October, tourist buses arrive daily in downtown Cheyenne. Groups of Japanese and Russians and Chinese tourists swarm over the Capitol grounds. They take each other's pictures by the Bison and by Esther and by the cowboy on the bucking bronco. They might go into the Capitol (if it's open) but time is short and they need some memories of their travels. Artwork on the Capitol grounds provides that.
Some of our legislators and public servants feel that art is a frill, that it provides no real benefit to Wyomingites and to the tourists that stoke the state's number two industry.
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| Buffalo soldier statue near Warren AFB in Cheyenne (USAF photo) |
It's tough to keep an open mind in these most close-minded of times. But our future depends on it.
Support a local writer -- and a good cause
Please join us on Saturday, April 2nd, 6-8 p.m., at Barnes & Noble Cheyenne, 1851 Dell Range Blvd. , for a book launch party and benefit for Cheyenne Therapeutic Equestrian Center to celebrate the release of Cowboy Fever by Joanne Kennedy.
And…
You’re invited to the after-party/reception at 8-11 p.m. at Uncle Charlie’s, 6001 Yellowstone Road . Refreshments, cash bar, and music by Brian Leneschmidt
Last day at the Wyoming Legislature -- artful words and song overwhelm hatred and fear
I visited the lobby of the Wyoming House chambers on Thursday morning. The combative legislative session was winding down and House members were taking their final coffee break. I ran into local Democratic legislators I know and have campaigned for -- Mary Throne, Ken Esquibel, Floyd Esquibel. They appeared suitably relieved on the last day of official business. I also saw some Republican legislators who have championed some good bills and some that were terribly regressive and anti-human. HB 74, for example.
I thought it was telling that many of the Republicans were waylaid on their way into the chambers by Becky Vandeberghe of WyWatch Family Action. This ultra-conservative org was pushing hard to demonize the LGBT community. Big fail! WyWatch only succeeded in embarrassing The Equality State in the eyes of the nation and in rallying a disparate group of Dems and Repubs to oppose the bills. Some were conservative legislators Phil Nicholas and Cale Case. Take a look at this March 4 clip from MSNBC's Rachel Maddow show.
I really liked Sen. Case's amendment. He is, after all, a conservative economist who knows all about unforeseen consequences of dumb legislation.
There were regressive lobbyists and regressive politicians passing therough the lobby on Thursday. Mrs. Vandeberghe of WyWatch was handing out conservative Christian prayer books and clasping the hands of ultra-conservative lawmakers she had won over. "God Bless You," she said, staring deep into their eyes as if attempting to hypnotize them into submission for next year's session.
On the other side of the wood-paneled room, sitting in a comfy chair, was Wyoming's poet laureate, David Romtvedt. He was awaiting the summons to come in and read poems to House members. This is an annual tradition at the Legislature. On Wednesday, David read his poetry to members of the Senate but the House was overburdened with last-minute stuff and didn't have time for David. But he was back.
The House was called to order and began business with a hymn. You can look at a hymn as another form of poetry or as song or even as propaganda. Singing of the hymn fell to Rep. Bob Brechtel (R-Casper), who supported anti-gay legislation all the way. He sang every single verse of "How Great Thou Art." It was piped into the lobby via loudspeakers. Rep. Brechtel has a nice voice and might even have a music background. Wonder if he knows how many gays and lesbians make of the state's music community, or the arts community in general? As the hymn went on, I ran into House doorman Keith Rounds, an accomplished cowboy poet. I asked him if Rep. Brechtel was a preacher or a minister or just liked to sing. He's very religious, he said. Catholic I think. I responded: "What is a nice Catholic boy doing singing a Protestant hymn?" Growing up Catholic, we always sang Catholic hymns -- badly, and in Latin. Keith didn't know the answer to my question.
Meanwhile, as a right-wing Catholic sang God's praises and a right-wing activist handed out God's words, The Bettys showed up. They are a group of about a dozen young women who make up the University of Wyoming acapella singing group. They were getting a guided tour of the Capitol before they sang to the House. They wore black-and-white outfits with 40s-style poufy hats and pink high-heeled shoes. We invited them into the lobby and we all had a great time talking about singing and dancing and the arts. I'm surprised an alarm didn't go off in the lobby. "Warning, warning, lobby dangerously overloaded with arts types. Warning, warning!" David almost broke out his accordion to accompany The Bettys on "Choo Choo Ch'Boogie." But the music had to wait as the tour guide intervened and whisked the young women away to see the rest of the Capitol.
I had a meting to attend so couldn't stick around. I missed hearing David's poetry and music mixing with the strains of hymns and acapella boogie. But I bet if I wander into the empty House chambers on Monday, I'll be able to hear the lingering tones of the arts drowning out the razor-edged words of hatred and fear.
I thought it was telling that many of the Republicans were waylaid on their way into the chambers by Becky Vandeberghe of WyWatch Family Action. This ultra-conservative org was pushing hard to demonize the LGBT community. Big fail! WyWatch only succeeded in embarrassing The Equality State in the eyes of the nation and in rallying a disparate group of Dems and Repubs to oppose the bills. Some were conservative legislators Phil Nicholas and Cale Case. Take a look at this March 4 clip from MSNBC's Rachel Maddow show.
I really liked Sen. Case's amendment. He is, after all, a conservative economist who knows all about unforeseen consequences of dumb legislation.
There were regressive lobbyists and regressive politicians passing therough the lobby on Thursday. Mrs. Vandeberghe of WyWatch was handing out conservative Christian prayer books and clasping the hands of ultra-conservative lawmakers she had won over. "God Bless You," she said, staring deep into their eyes as if attempting to hypnotize them into submission for next year's session.
On the other side of the wood-paneled room, sitting in a comfy chair, was Wyoming's poet laureate, David Romtvedt. He was awaiting the summons to come in and read poems to House members. This is an annual tradition at the Legislature. On Wednesday, David read his poetry to members of the Senate but the House was overburdened with last-minute stuff and didn't have time for David. But he was back.
The House was called to order and began business with a hymn. You can look at a hymn as another form of poetry or as song or even as propaganda. Singing of the hymn fell to Rep. Bob Brechtel (R-Casper), who supported anti-gay legislation all the way. He sang every single verse of "How Great Thou Art." It was piped into the lobby via loudspeakers. Rep. Brechtel has a nice voice and might even have a music background. Wonder if he knows how many gays and lesbians make of the state's music community, or the arts community in general? As the hymn went on, I ran into House doorman Keith Rounds, an accomplished cowboy poet. I asked him if Rep. Brechtel was a preacher or a minister or just liked to sing. He's very religious, he said. Catholic I think. I responded: "What is a nice Catholic boy doing singing a Protestant hymn?" Growing up Catholic, we always sang Catholic hymns -- badly, and in Latin. Keith didn't know the answer to my question.
Meanwhile, as a right-wing Catholic sang God's praises and a right-wing activist handed out God's words, The Bettys showed up. They are a group of about a dozen young women who make up the University of Wyoming acapella singing group. They were getting a guided tour of the Capitol before they sang to the House. They wore black-and-white outfits with 40s-style poufy hats and pink high-heeled shoes. We invited them into the lobby and we all had a great time talking about singing and dancing and the arts. I'm surprised an alarm didn't go off in the lobby. "Warning, warning, lobby dangerously overloaded with arts types. Warning, warning!" David almost broke out his accordion to accompany The Bettys on "Choo Choo Ch'Boogie." But the music had to wait as the tour guide intervened and whisked the young women away to see the rest of the Capitol.
I had a meting to attend so couldn't stick around. I missed hearing David's poetry and music mixing with the strains of hymns and acapella boogie. But I bet if I wander into the empty House chambers on Monday, I'll be able to hear the lingering tones of the arts drowning out the razor-edged words of hatred and fear.
Searching for Arizona's soul
While watching crusty and opinionated Pima County Sheriff Clarence Dupnik on TV over the weekend, I thought, "I'm glad this man is watching over my boy."
My boy is Kevin. He's no longer a boy but a man. A resident of Tucson, and a student at Pima Community College. Kevin probably doesn't give it much thought but it's good to have a sensible and sensitive human as the county's chief law enforcement officer.
I've spoken to Kevin several times since Saturday's shootings. Yes, everyone in Tucson is talking about it -- and we're all upset. No, he's never seen the shooter around campus. But there are five PCC campuses and thousands of students. I haven't had a chance to talk to him since this evening's memorial service at the University of Arizona Arena. Attendance was 26,000. I wanted to be there.
Tucson is a fine city. My most recent trip to Arizona was in January 2009. Call me a genius but January in Tucson is much more temperate than July in Tucson. My wife Chris and daughter Annie and I drove to Arizona in July of 2007. Long Fourth of July weekend and we had a week off. The evening of July 3, we stopped in Bernalillo north of Albuquerque and watched fireworks with a bunch of teenagers sitting on the hoods of their cars. The next night, we ventured out of the AC to watch the holiday fireworks from Tucson's A Mountain.
A few days later Kevin and I ventured out in the midday sun to visit the University of Arizona Poetry Center. U of A has since built a new poetry center, which was mentioned by University President Robert Shelton in tonight's closing remarks. He read a poem by W.S. Merwin, who lives in Hawaii but has spent a lot of time at the center, according to Shelton. Interesting how poetry and music are needed in times of woe.
Since Saturday, I've spent many hours online reading commentary about the Tucson shootings. I tended to gravitate to those pieces that talked about Arizona's culture.
One of the best is by Aurelie Sheehan. She's the director of the U of A creative writing program. She's a friend and a one-time Wyomingite. She wrote this:
O.K., calm down, self. No name calling tonight.
Will Bunch does that pretty well. Although he wraps up with this hopeful note:
My boy is Kevin. He's no longer a boy but a man. A resident of Tucson, and a student at Pima Community College. Kevin probably doesn't give it much thought but it's good to have a sensible and sensitive human as the county's chief law enforcement officer.
I've spoken to Kevin several times since Saturday's shootings. Yes, everyone in Tucson is talking about it -- and we're all upset. No, he's never seen the shooter around campus. But there are five PCC campuses and thousands of students. I haven't had a chance to talk to him since this evening's memorial service at the University of Arizona Arena. Attendance was 26,000. I wanted to be there.
Tucson is a fine city. My most recent trip to Arizona was in January 2009. Call me a genius but January in Tucson is much more temperate than July in Tucson. My wife Chris and daughter Annie and I drove to Arizona in July of 2007. Long Fourth of July weekend and we had a week off. The evening of July 3, we stopped in Bernalillo north of Albuquerque and watched fireworks with a bunch of teenagers sitting on the hoods of their cars. The next night, we ventured out of the AC to watch the holiday fireworks from Tucson's A Mountain.
A few days later Kevin and I ventured out in the midday sun to visit the University of Arizona Poetry Center. U of A has since built a new poetry center, which was mentioned by University President Robert Shelton in tonight's closing remarks. He read a poem by W.S. Merwin, who lives in Hawaii but has spent a lot of time at the center, according to Shelton. Interesting how poetry and music are needed in times of woe.
Since Saturday, I've spent many hours online reading commentary about the Tucson shootings. I tended to gravitate to those pieces that talked about Arizona's culture.
One of the best is by Aurelie Sheehan. She's the director of the U of A creative writing program. She's a friend and a one-time Wyomingite. She wrote this:
Saturday night we had signed on to go to a benefit concert for a small organization that develops music programs for at-risk children in the Southwest. It was organized by a talented 12-year-old boy who took guitar lessons alongside our daughter, and we had been looking forward to it. Now no one really wanted to go — we were all too beaten down by the day. But we went anyway, to support the young guitarist and the nonprofit group.
We sat down in the school auditorium, restless, a little ill at ease, scattered in our thoughts. About 200 people were there. The lights went down and, after a weirdly protracted pause, Brad Richter, the nonprofit’s co-founder, took the stage.
We talked quietly about what had happened that morning. He had played guitar at Gabrielle Giffords’s wedding, in 2007. And that evening he played an original composition for us, something she had requested he play then: “Elation,” the song was called. The feeling of community in the room was palpable, and if elation was beyond our reach, we were at least consoled.Aurelie is such a great writer. I've also worked with Brad and know his soulful music. Again, here are the arts helping us to make sense of tragedy.
A harsher critique of Arizona appeared on Media Matters. It's by Will Bunch and is entitled "Arizona is where the American dream goes to die." Here's an excerpt:
The real factors behind this Arizona Nightmare -- venal banks, too much borrowing, too much outsourcing of jobs that, unlike home construction, would have been permanent and stable -- were too abstract, especially for the toxic soup of talk radio. It is tragic how a state that once prided itself on Barry Goldwater-style can-do self-reliant libertarianism devolved into blaming The Other the minute that things went south here. Virulent anti-immigrant nativism -- occasionally sprinkled with things like neo-Nazism -- grew into the desert, as did fear of Muslims, to the point where an architecturally unusual new Christian church in Phoenix had to declare in a giant banner that it was not Islamic. Political heroes were now those like Arpaio who didn't just pursue reactionary policies but actually heaped humiliation and degradation on The Other, in sweltering outdoor prison camps. Ditto with members of Congress suddenly out of step with the new zeitgeist -- moderate Democrats like Harry Mitchell and Gabrielle Giffords were not just to be disagreed with but to be physically threatened with vandalism or worse. Meanwhile, guns became a statewide obsession, as lawmakers competed to see just how lax an environment they could create, where it was legal to bring concealed firearms just about anywhere. This was the world that surrounded and buffeted a disturbed young man in Tucson named Jared Lee Loughner.
I've seen that part of Arizona. I've seen it in Wyoming, too. The anger of people who are well-to-do but who feel a strange resentment towards The Other. Those people who are wildly indignant about nearly everything because, well, because...
O.K., calm down, self. No name calling tonight.
Will Bunch does that pretty well. Although he wraps up with this hopeful note:
...maybe Arizona can dust itself off, gaze into the splendor of its big sky and see what an outsider sees, and remember what it was that brought them all to this scenic corner of America in the first place.
The promise of paradise.
Timothy Egan wrote "Tombstone Politics" for the New York Times op-ed pages. He wrote that great book on the Dust Bowl. To read his column, go here:
Tombstone, the town, is in Giffords’s southern Arizona district, an Old West burg where shootouts are staged, bodies fall into the street, and then everybody applauds and laughs it off. Tombstone politics is the place we’ve been living in for some time now, and our guns are loaded.
We're living in a mythic cowboy West and our guns are really loaded, unlike those on "Tombstone Territory" and "Wyatt Earp" or "Gunsmoke." All Hollywood versions of Wild West shoot-em-up towns. But a fake Tombstone is one thing. A very real Tucson where deranged people fire guns at politicans? We can't afford that.
For full text of Pres. Obama's speech, and other coverage of today's Tucson events, go here.
For full text of Pres. Obama's speech, and other coverage of today's Tucson events, go here.
Cheyenne statue project should include all those people (and creatures) who influenced Cheyenne
Interesting front page article in today's Halloween edition of the Wyoming Tribune-Eagle.
Local gallery owner Harvey Deselms is promoting a project to put bronze statues on every corner of Capitol Avenue between the Historic Depot and the Capitol Building. That's eight blocks times four corners equals 32 statues.
A cowboy is next up, which is no surprise. There are no shortage of cowboy and/or cowboy with bucking bronco statues in Cheyenne. Sure, I guess there's room for a few more cowboys along the street. But this represents only a small part of Cheyenne's heritage.
I like the two new statues proposed for Depot Square. A young woman "dressed in 19th-century garb" leaving the train station and a cowboy on his way into the train station. The titles are, respectively, "A New Beginning" and "Hard to Leave."
But why cowboy-era cowboy and woman? Why not have a World War II G.I. emerging from the station to be greeted by his family? Wonder how many soldiers and sailors and marines and airmen traveled in and out of the depot during the war? Our entire region, from Colorado Springs to Cheyenne and up to Casper, were hugely influenced by war industries. It's often said that many young men who trained in Denver and Cheyenne and Colorado Springs returned here to live after the war. They were drawn by the wide-open spaces and mountains and climate. The Tenth Mountain Division soldiers returned from the war to create the modern ski industry.
I'd love to see oilfield roughnecks and miners and Basque sheepherders represented on the streets of Cheyenne. Native Americans, of course. It is pleasing to note that the renovation plan for the Capitol Building complex will include Esther Hobart Morris and Chief Washakie flanking each other in front of the historic building. We have a Buffalo Soldier in the pocket park outside of F.E. Warren AFB. But we need one on the city's downtown main street.
This is suggested only partly in jest -- what about a guy in a suit carrying a briefcase? Cheyenne is a government town, after all, and government employees outnumber agricultural workers (a.k.a. cowboys) any day of the week. Wyoming soon will add a statue of Governor Stan Hathaway next month to the front of the Hathaway Building. A governor is a bureaucrat -- probably the state's chief bureaucrat -- so it would be appropriate for the Gov statue to be surrounded by his aides and assistants and all the people who make the state work. This is not myth. This is reality.
We should consult the Cheyenne and Arapaho and Lakota tribes who used to inhabit the region before the railroad and horse soldiers arrived. While Wyoming's Chief Washakie is a great addition to the Capitol Complex, he was a Shoshone, a mountain tribe. As far as I know, we have no representation of the many Native American horsemen who inhabited these lands.
Speaking of the railroads... Irishmen? Scotsmen? Chinese? Local visionary (and fine writer) Lou Madison has proposed a number of sculptures for the city. I especially like his idea of a monumental sculpture for the Cheyenne rail yards which would show workers building the rails that led to the founding of Cheyenne. The city would just be a bump in the road if not for the railroad.
And the highways that bisect our city limits. They are works of art unto themselves. Downtown Cheyenne offers some historic markers dedicated to the Lincoln Highway, and we have a huge Lincoln head at the top of the pass that marks the thoroughfare. But thousands of trucks and cars travel down I-80 and I-25 every day. How about a monument to a trucker on one of the downtown corners? How much money do truckers spend each day at the county's truck stops and restaurants and motels? Perhaps we could commemorate a trucker stopped by a blizzard that closes the Summit? Trucker sits in a booth at a truckstop while waitress serves him coffee and a slice of apple pie. Could call the sculpture: "Long haul trucker parks his ass." Something like that. Maybe "Night owls at the diner?" I think that's already been used.
My father built ICBM missile silos from Kansas to Colorado to Washington State. We should have a representation of that bit of history along Capitol Avenue. In many ways, nukes made Cheyenne. We could have a statue of a missileer at his/her station, or a down-sized version of an MX.
We can't forget our geological history. Cheyenne was once on the fringe of an inland sea. Wouldn't it be great to have a huge ancient crocodile rising from the concrete, trying to snatch its prey? The tourists would love that. Lots of photo opportunities. You could actually put a dinosaur bronze or one of a prehistoric mammal (woolly mammoths, sloths, etc.) on each downtown corner.
Cowboys are wonderful. That's apart of Cheyenne's heritage. But that's not all there is. Delve into the history and let's come up with a sequence of statues that speak to Cheyenne's interesting and sometimes strange history.
Local gallery owner Harvey Deselms is promoting a project to put bronze statues on every corner of Capitol Avenue between the Historic Depot and the Capitol Building. That's eight blocks times four corners equals 32 statues.
A cowboy is next up, which is no surprise. There are no shortage of cowboy and/or cowboy with bucking bronco statues in Cheyenne. Sure, I guess there's room for a few more cowboys along the street. But this represents only a small part of Cheyenne's heritage.
I like the two new statues proposed for Depot Square. A young woman "dressed in 19th-century garb" leaving the train station and a cowboy on his way into the train station. The titles are, respectively, "A New Beginning" and "Hard to Leave."
But why cowboy-era cowboy and woman? Why not have a World War II G.I. emerging from the station to be greeted by his family? Wonder how many soldiers and sailors and marines and airmen traveled in and out of the depot during the war? Our entire region, from Colorado Springs to Cheyenne and up to Casper, were hugely influenced by war industries. It's often said that many young men who trained in Denver and Cheyenne and Colorado Springs returned here to live after the war. They were drawn by the wide-open spaces and mountains and climate. The Tenth Mountain Division soldiers returned from the war to create the modern ski industry.
I'd love to see oilfield roughnecks and miners and Basque sheepherders represented on the streets of Cheyenne. Native Americans, of course. It is pleasing to note that the renovation plan for the Capitol Building complex will include Esther Hobart Morris and Chief Washakie flanking each other in front of the historic building. We have a Buffalo Soldier in the pocket park outside of F.E. Warren AFB. But we need one on the city's downtown main street.
This is suggested only partly in jest -- what about a guy in a suit carrying a briefcase? Cheyenne is a government town, after all, and government employees outnumber agricultural workers (a.k.a. cowboys) any day of the week. Wyoming soon will add a statue of Governor Stan Hathaway next month to the front of the Hathaway Building. A governor is a bureaucrat -- probably the state's chief bureaucrat -- so it would be appropriate for the Gov statue to be surrounded by his aides and assistants and all the people who make the state work. This is not myth. This is reality.
We should consult the Cheyenne and Arapaho and Lakota tribes who used to inhabit the region before the railroad and horse soldiers arrived. While Wyoming's Chief Washakie is a great addition to the Capitol Complex, he was a Shoshone, a mountain tribe. As far as I know, we have no representation of the many Native American horsemen who inhabited these lands.
Speaking of the railroads... Irishmen? Scotsmen? Chinese? Local visionary (and fine writer) Lou Madison has proposed a number of sculptures for the city. I especially like his idea of a monumental sculpture for the Cheyenne rail yards which would show workers building the rails that led to the founding of Cheyenne. The city would just be a bump in the road if not for the railroad.
And the highways that bisect our city limits. They are works of art unto themselves. Downtown Cheyenne offers some historic markers dedicated to the Lincoln Highway, and we have a huge Lincoln head at the top of the pass that marks the thoroughfare. But thousands of trucks and cars travel down I-80 and I-25 every day. How about a monument to a trucker on one of the downtown corners? How much money do truckers spend each day at the county's truck stops and restaurants and motels? Perhaps we could commemorate a trucker stopped by a blizzard that closes the Summit? Trucker sits in a booth at a truckstop while waitress serves him coffee and a slice of apple pie. Could call the sculpture: "Long haul trucker parks his ass." Something like that. Maybe "Night owls at the diner?" I think that's already been used.
My father built ICBM missile silos from Kansas to Colorado to Washington State. We should have a representation of that bit of history along Capitol Avenue. In many ways, nukes made Cheyenne. We could have a statue of a missileer at his/her station, or a down-sized version of an MX.
We can't forget our geological history. Cheyenne was once on the fringe of an inland sea. Wouldn't it be great to have a huge ancient crocodile rising from the concrete, trying to snatch its prey? The tourists would love that. Lots of photo opportunities. You could actually put a dinosaur bronze or one of a prehistoric mammal (woolly mammoths, sloths, etc.) on each downtown corner.
Cowboys are wonderful. That's apart of Cheyenne's heritage. But that's not all there is. Delve into the history and let's come up with a sequence of statues that speak to Cheyenne's interesting and sometimes strange history.
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