Convergence Wyoming: Historic preservation not just for Earth anymore.

Milford Wayne Donaldson, California’s state historic preservation officer, will be a featured speaker at the Convergence Wyoming 2011 in Cody Oct. 6-8. He will speak about some of the finer points of historic preservation. And its most otherworldly ones. In 2010, Donaldson successfully sought historic preservation status for the Apollo 11 moon landing sites.

The reasoning behind the first-of-its-kind designation was simple: Scores of California companies worked on the Apollo mission, and much of their handiwork remains of major historical value to the state, regardless of where it is now or what it was for used for then.

“It has a significance that goes way further than whether it came from a quarter million miles away or not,” Mr. Donaldson said. “They are all parts of the event.” 

While Apollo 11 was indeed a landmark mission — during which Neil A. Armstrong became the first man to walk on the moon and he and Buzz Aldrin apparently ditched their boots — it wasn’t exactly tidy. Worried about the weight of their landing capsule, the harried lunar explorers left behind tons of trash, including empty food bags, electrical equipment and, yes, several receptacles meant for bodily waste. 

There is also a collection of artifacts of historical note and emotion: Mr. Armstrong’s footprint, for example, and an American flag. Apollo 11 also left behind a mission patch from Apollo 1, in which three astronauts died in a fire, and a message from world leaders. 

And while some of the garbage might seem like, well, garbage, California is just one of several states seeking protection for the items in the face of possible lunar missions by other nations as well as a budding space tourism industry. 

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Mr. Donaldson said he hoped his commission’s vote might help goad the United Nations Educational Scientific and Cultural Organization into placing the landing site on the World Heritage List, an international compilation of famed landmarks. 

“I think there’s a threat from private companies,” Mr. Donaldson said. “And with today’s technology, they could probably pinpoint this.” 

That said, Mr. Donaldson admitted that there were no “space cops” available to safeguard the state’s newest historical resource. But, like the Apollo astronauts themselves, he seemed optimistic that Friday’s vote might lead to bigger and better things. 

“Hopefully,” he said, “this will take off.”

Register for Convergence Wyoming at http://www.convergencewyoming.com/register-today/. Article source: New York Times

NEA"s "Our Town" grants supports creativity in our towns

Artist's rendering of Casper's Sunshine II development that will include an arts space for resident and neighbors

Here's a whole lot of creative placemaking that will be supported by almost $7 million in "Our Town" grants from the National Endowment for the Arts: http://www.arts.gov/grants/recent/11grants/Our-Town.html

One of those is a $50,000 grant for Casper to develop a public art space alongside the 26-unit Sunshine Apartments II development now under construction. The site is across from the Nicolaysen Art Museum and just west of where the now-demolished KC Apartments were located. Some of you may remember the rundown KC Apartments as a slumlord-run blight on the neighborhood that mercifully was closed down by the city and then demolished.    

The new Sunshine II low-income development feature LEED-certified buildings and now an arts space. 

Project organizers envision the space as a gathering spot for apartment residents and the surrounding community. The museum also intends to create educational and outreach programs for the site. 

“It’s part and parcel with a whole mindset or plan for downtown Casper on how to integrate arts with our everyday lives,” said museum Curator Lisa Hatchadoorian. 

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Hatchadoorian isn’t aware of any other public art spaces in Wyoming tied to low-income housing. Organizers hope their project will encourage similar efforts in other parts of the state.

“It’s a community-building experience,” she said. “A lot of times, when you have a public art space where people can interact, it just brings everyone ... it makes the community more available to each other. It just makes a better place to live.”

Read more: http://trib.com/news/local/casper/article_b59063b2-7991-51f2-8698-204d1b7b01fc.html#ixzz1RxrMkUst

Another one of the NEA's "Our Town" grants goes to a neat "arts incubator" project just down the road from Cheyenne in Fort Collins, Colo.:

To support the creation of the Rocky Mountain Regional Arts Incubator (RMRAI) in the historic Carnegie building in downtown Fort Collins. The RMRAI will offer students and professionals a multitude of services to assist them in creating, redefining, and sustaining their creative careers in the new economy, including educational courses, internships, continuing education for practicing artists, and gallery and performance spaces.

The project is a collaboration among the non-profit Beet Street, the City of Fort Collins Cultural Services Department and the Colorado State University School of the Arts. The incubator will be located in the Carnegie Building in the city's Library Park.

The Beet Street web site doesn't say, but the org's name probably trades on Fort Collins' aggie reputation, namely its years as a center of sugar beet production. CSU got its start as Colorado A&M, home of a fantastic veterinary school and lots of farming and ranching courses. That's what the big "A" up on the mountain stands for. CSU grew into a place where the arts shared a campus with the aggie arts. What's interesting is that the university (my alma mater) now is investing heavily in green technology and sustainable agriculture, putting the A&M back into the name in new and interesting ways.

Acting U.S. Solicitor General acknowledges office's lack of candor led to WWII Japanese-American internment

Neal Katyal, acting solicitor general of the United States, wrote an official post Friday acknowledging that evidence was deliberately hidden about alleged anti-American activities by Japanese-Americans at the outbreak of World War II. 

Most Americans acknowledge the fact that the internment of Japanese-Americans was a terrible and unnecessary act. Official apologies have been issued, but it's somewhat gratifying to see that the entire exercise was a paranoid miscarriage of justice.

If you are curious about this episode and its place in Wyoming history, you can attend the grand opening of the new Interpretive Center in August at the Heart Mountain Internment Center Historic Site neat Cody. I've visited the site often over the past 20 years. Until recently, all that remained was the brick power plant (seen in the distance in photo) and several tumbledown barracks. The Interpretive Center was modeled after the barracks that housed some 100,000 American citizens from 1942-1946. And I use the term "housing" loosely. 

Grand opening dates are Aug. 19-21. Go to www.heartmountain.org. Here's some info from the web site:

Registration is now being accepted for the three days of activities, including the Pilgrimage Dinner and All-Camp Get-Together, Dedication Ceremony, tours, mountain hike, and a Gala Banquet which are all part of the Grand Opening of the Heart Mountain Interpretive Learning Center Aug. 19, 20, and 21, announced event chair Kathleen Saito Yuille.  Registration deadline is June 20.The opening of the ILC’s doors on Aug. 20 will symbolize the beginning of a new era of understanding and help remind the nation about the importance of tolerance and the need to balance our concern for national security with a commitment to respect the basic civil rights of all our fellow citizens. 

Public/private partnership brings music treasures to a PC near you

From Voice of America (VOA) comes news about a great public/private partnership:

Grammy-winning performer Harry Connick, Jr., was on hand recently to help the Library of Congress launch a website that offers 10,000 rare and historic sound recordings to the public in digital format for the first time - at no charge.

The massive collection includes popular music, opera and early jazz as well as poetry and famous political speeches. Al Jolson, Arturo Toscanini, Enrico Caruso and George Gershwin are just some of the musical giants featured in the collection.

The site, called National Jukebox, is a collaborative project between the Library of Congress and Sony Music Entertainment. It offers online access to a vast selection of music and spoken-word recordings produced in the U.S. between 1901 and 1925.

James H. Billington, the Librarian of Congress, characterizes the collection as a “vast treasure trove of recordings produced in the U.S. prior to the end of 1925.”

"It includes early jazz, famous speeches, poetry, humor, opera, dance music with authoritative production information for each recording," says Billington.

The Library of Congress holds the largest collection of historic sound recordings in the United States. They're stored and digitally preserved at a special facility in the state of Virginia. The Jukebox recordings come from that facility.

Richard Story, president of the Commercial Music Group of Sony Music Entertainment, says the remarkable collection traces the roots and development of American music and includes the work of “some of the most influential, most important artists ever."

No Hobbit Homes for Tea Party Slim

When my neighbor, Tea Party Slim, came to the door, I thought he was going to rub my face in the election results.

But I was wrong.

“I guess you won,” I said, extending my hand.

He shook it. “We did. But that’s water under the bridge. Got a few minutes?”

Slim didn’t wait for an invitation. He breezed right past me and sat on the couch. He held a sheaf of papers in his right hand. He shook them at me. “America’s suburbs are threatened with a gigantic conspiracy.”

“Want some coffee?” I asked.

“Not if it’s that shade-tree grown farmer-friendly commie goop they sell at farmer’s markets and serve at trendy city coffee shops.”

I was taken aback. Slim had never refused coffee before.

“That’s what I’m saying. The cities are talking over, trying to push us suburbanites into U.N.-mandated human habitation zones.”

I had many questions. But first, I had to set the record straight. “Slim, we don’t live in the suburbs.”

“We do too. We’re not in the city. That’s downtown.”

“We’re in the city limits. The suburbs ring a city. Suburbanites have to drive to work.”

“I drive to work. So do you.”

“True, but sometimes I walk. Sometimes I ride my bike. I could ride the bus if I wanted.”

“That’s what they want – public transportation.”

During the past year, I’ve had similar one-sided conversations with Slim. Socialized health care. Missing birth certificates. Elitists in Washington. It was best to get a cup of commie coffee and let it play out. So I did.

“You’ve heard of Article 21?” He was shaking the papers at me again.

“I haven’t.”

He smiled. “I knew it.” There followed a long convoluted explanation, so long, in fact, that it forced me back to the coffee pot. When I returned, Slim was still talking. It was peppered with references to "compact development" and "smart growth" and “sustainable development” and "New Urbanism" and "transit-oriented development” and “creative economy” and "livable communities."

“These all lead to the same thing – the U.N. forcing us to live in Hobbit homes.”

“You mean Hobbit like in the movie? Those nifty little houses in Hobbiton with the round doors?”

“Not so cute if you’re 6-foot-2 like I am and are forced to live in one and give up your two-car garage and three bathrooms and big kitchen and back porch with the gas grill.” He looked like he was going to cry.

“Don’t worry, Slim. None of that is going to happen. Hobbiton is just an imaginary place.”

His face took on the rosy red glare of Tea Party outrage. “You’re darn right it’s not going to happen. Americans have the Constitutional right to live in any kinds of houses we want and drive any kind of truck we want.”

“I couldn’t agree more,” I said.

“Trucks are our ‘personal mobility machines” – that’s what Ed Braddy of the American Dream Coalition calls them. He’s a real trailblazer – you should look him up. A true visionary.”

“I drive a Prius, but you know that. But I’m thinking of buying that new electric car. Just plug it in at night – no more gas stations.”

He laughed. “Agenda 21 already has you by the balls. Next thing you’re going to tell me is that you and your wife are going to retire to a cramped city condo instead of a sprawling retirement community in Arizona with a golf course.”

“Yes, Slim, that’s exactly what I’m saying. The misses and I already have a cool condo picked out in Denver. It’s close to stores and museums and relatives. We can walk everywhere or take the light rail. No lawns to mow and water. The apartment complex even has its own roof garden where I can plant my veggies. It’s close to a bikepath and …..

Slim stood. He’d heard enough. “You go ahead and live in a Hobbit home, Frodo.” He shook his papers. “We’re going to fight this at city hall. No human habitation zones for us.”

I stood. “Good luck, man. You’ve had some recent successes so best to strike while the iron’s hot.”

"Join us, Mike. Join the rising tide of outrage against nearly everything.”

I saw Slim to the door. “I’d love to, Slim, but I have to ride my bike to the winter farmer’s market in the renovated historic Depot downtown to buy my locally produced food and locally made Christmas presents. That’s all part of sustainable development, Slim.”

I thought his head would explode. But he calmed himself and smiled. “We’re on a winning streak, you said so yourself.”

“True, but streaks don’t last forever. Just ask a baseball player. Or a Democrat. Even a Republican.”

With that, he said his farewells, got in his truck and drove to his house two doors down.

Inspiration for this piece came from the recent article in Mother Jones, “The Tea Party Targets… Sustainable Development?” by Stephanie Mencimer. Go to http://motherjones.com/politics/2010/11/tea-party-agenda-21-un-sustainable-development?

Cheyenne statue project should include all those people (and creatures) who influenced Cheyenne

Interesting front page article in today's Halloween edition of the Wyoming Tribune-Eagle.

Local gallery owner Harvey Deselms is promoting a project to put bronze statues on every corner of Capitol Avenue between the Historic Depot and the Capitol Building. That's eight blocks times four corners equals 32 statues.

A cowboy is next up, which is no surprise. There are no shortage of cowboy and/or cowboy with bucking bronco statues in Cheyenne. Sure, I guess there's room for a few more cowboys along the street. But this represents only a small part of Cheyenne's heritage.

I like the two new statues proposed for Depot Square. A young woman "dressed in 19th-century garb" leaving the train station and a cowboy on his way into the train station. The titles are, respectively, "A New Beginning" and "Hard to Leave."

But why cowboy-era cowboy and woman? Why not have a World War II G.I. emerging from the station to be greeted by his family? Wonder how many soldiers and sailors and marines and airmen traveled in and out of the depot during the war? Our entire region, from Colorado Springs to Cheyenne and up to Casper, were hugely influenced by war industries. It's often said that many young men who trained in Denver and Cheyenne and Colorado Springs returned here to live after the war. They were drawn by the wide-open spaces and mountains and climate. The Tenth Mountain Division soldiers returned from the war to create the modern ski industry.

I'd love to see oilfield roughnecks and miners and Basque sheepherders represented on the streets of Cheyenne. Native Americans, of course. It is pleasing to note that the renovation plan for the Capitol Building complex will include Esther Hobart Morris and Chief Washakie flanking each other in front of the historic building. We have a Buffalo Soldier in the pocket park outside of F.E. Warren AFB. But we need one on the city's downtown main street.

This is suggested only partly in jest -- what about a guy in a suit carrying a briefcase? Cheyenne is a government town, after all, and government employees outnumber agricultural workers (a.k.a. cowboys) any day of the week. Wyoming soon will add a statue of Governor Stan Hathaway next month to the front of the Hathaway Building. A governor is a bureaucrat -- probably the state's chief bureaucrat -- so it would be appropriate for the Gov statue to be surrounded by his aides and assistants and all the people who make the state work. This is not myth. This is reality.

We should consult the Cheyenne and Arapaho and Lakota tribes who used to inhabit the region before the railroad and horse soldiers arrived. While Wyoming's Chief Washakie is a great addition to the Capitol Complex, he was a Shoshone, a mountain tribe. As far as I know, we have no representation of the many Native American horsemen who inhabited these lands. 

Speaking of the railroads... Irishmen? Scotsmen? Chinese? Local visionary (and fine writer) Lou Madison has proposed a number of sculptures for the city. I especially like his idea of a monumental sculpture for the Cheyenne rail yards which would show workers building the rails that led to the founding of Cheyenne. The city would just be a bump in the road if not for the railroad.

And the highways that bisect our city limits. They are works of art unto themselves. Downtown Cheyenne offers some historic markers dedicated to the Lincoln Highway, and we have a huge Lincoln head at the top of the pass that marks the thoroughfare. But thousands of trucks and cars travel down I-80 and I-25 every day. How about a monument to a trucker on one of the downtown corners? How much money do truckers spend each day at the county's truck stops and restaurants and motels? Perhaps we could commemorate a trucker stopped by a blizzard that closes the Summit? Trucker sits in a booth at a truckstop while waitress serves him coffee and a slice of apple pie. Could call the sculpture: "Long haul trucker parks his ass." Something like that. Maybe "Night owls at the diner?" I think that's already been used.

My father built ICBM missile silos from Kansas to Colorado to Washington State. We should have a representation of that bit of history along Capitol Avenue. In many ways, nukes made Cheyenne. We could have a statue of a missileer at his/her station, or a down-sized version of an MX.

We can't forget our geological history. Cheyenne was once on the fringe of an inland sea. Wouldn't it be great to have a huge ancient crocodile rising from the concrete, trying to snatch its prey? The tourists would love that. Lots of photo opportunities. You could actually put a dinosaur bronze or one of a prehistoric mammal (woolly mammoths, sloths, etc.) on each downtown corner. 

Cowboys are wonderful. That's apart of Cheyenne's heritage. But that's not all there is. Delve into the history and let's come up with a sequence of statues that speak to Cheyenne's interesting and sometimes strange history.